U=U, Ten Years Later: What the Science Settled and the World Still Hasn’t


I learned about U=U in 2019.

Not in 2016 when the message officially launched. Not at the beginning. I learned about it three years later, when the science was already clear and the evidence overwhelming. And what struck me immediately wasn’t the data. It was the disconnect.

Doctors had the science.
The world hadn’t caught up.

People living with HIV are still being treated as dangerous. Still criminalized. Still framed as a problem to manage rather than people to respect. The science says something radical and simple. Undetectable equals untransmittable. Zero risk. Full stop. But culture, law, and everyday beliefs are still operating on fear.

That gap changed me.

Later that year, I launched #CelebrateUU, not as an education campaign, but as a visibility project. I didn’t want to explain U=U. I wanted people to see it. Real people. Real faces. Real intimacy. Because stigma doesn’t dissolve through statistics alone. It dissolves when humanity becomes undeniable.

Over the years, I’ve watched U=U do incredible things.

When people receive clear, confident U=U information, it changes how they see themselves. It restores sexual confidence. It reframes treatment from obligation to empowerment. It opens the door to honesty, joy, and possibility. In clinical settings where providers speak clearly and without hedging, trust grows. Fear recedes. People breathe again.

But ten years in, it’s also clear where U=U hasn’t gone far enough.

U=U didn’t fail. But its impact has been uneven because belief spread slower than evidence.

Too many providers still hedge.
Too many public messages flatten U=U into a slogan.
Too many rural and marginalized communities are left behind.
Too many laws still treat people with HIV as a risk, not as people living with a managed condition.

And in the middle of this, a real and complicated concern has emerged. The fear that U=U creates a viral divide.

That concern deserves honesty, not avoidance.

A person’s value is not determined by viral load. Full stop. When someone can’t reach viral suppression, that is very often a failure of systems, not individuals. Housing instability. Mental health. Poverty. Trauma. Access gaps. Stigma itself. These are not personal shortcomings. They are structural barriers.

And the vast majority of people who are not virally suppressed still care deeply about preventing transmission. They take precautions. They disclose. They navigate risk thoughtfully and responsibly, often with far less support than they deserve.

But here’s the hard truth we can’t avoid.

Fear of creating a viral divide cannot be used to weaken or hide settled science.

The answer to inequity is not diluting the truth. It’s fixing the systems that keep people from benefiting from it. When we hedge U=U out of discomfort, we don’t protect people. We reinforce stigma. Worse, we create space for bad policy.

This matters because stigma doesn’t just live in attitudes. It lives in law.

U=U exposes how outdated HIV criminalization laws are, but science alone doesn’t repeal bad laws. When institutions hedge on U=U, they reinforce the idea that people with HIV are inherently dangerous, and that shows up in courtrooms, sentencing, and statutes.

In recent years, my work has shifted toward implementation. Grounded in U=U University, which clearly defines the science, I’ve focused on the question that ten years of U=U now demands: What happens after awareness?

Knowing the science is not the same as practicing it. When providers hesitate, when systems stay silent, stigma survives. And patients pay the price.

If a provider can’t explain U=U clearly, confidently, and consistently, then the promise of U=U remains theoretical for the people who need it most.

Ten years later, U=U has proven what’s medically possible. The virus can be rendered untransmittable. Fear no longer belongs in the science.

The work now is alignment.

Aligning healthcare with evidence.
Aligning law with reality.
Aligning public messaging with dignity.

Until our systems behave as if they believe what the science already tells us, U=U remains true, but its promise isn’t fully realized.

And that’s where the next decade begins.

USCHA reminded me: gratitude is how we honor the fight, and responsibility is how we continue it!


What USCHA Taught Me About Legacy and Belonging

This was my first USCHA (US Conference on HIV/AIDS), and I wasn’t ready for it. I’ve been to HINAC (HIV Is Not a Crime) and AIDS Watch each twice, but this was different. There’s a magic at USCHA that gets under your skin.

I travelled to USCHA as part of NMAC’s 50+ Cohort, joining others like me from around the country who are aging and living with HIV. I’m grateful for the experience and the connections I made.

I’m 57. I’ve been living with HIV for 13 years. That’s my place in the timeline. Not better, not worse – just mine. But when I saw the decades of HIV/AIDS laid out at the Friday plenary, the science, the struggle, the survival – it cracked something open in me. For the first time, I felt the weight of what it means to be a long-term survivor. And I also knew that wasn’t me.

I came along after protease inhibitors, after HAART reshaped the fight. When I was diagnosed in 2012, my doctor told me, “The guidance is changing. We used to tell people to wait. Now we recommend you start treatment right away.” He still gave me the option – that’s how new it was. I didn’t understand then how historic that moment was. I do now.

In the 80s, I was a teenager. In the 90s, I was climbing the corporate ladder, coming out of the closet, largely disconnected from my community. By the time I came out, the epidemic wasn’t invisible anymore, but it was still tearing through our communities. The mid-90s would become the deadliest years. And while that grief was swallowing a generation, I was safe in my bubble, largely untouched, largely unaware. That’s the part that haunts me. The loss I didn’t live. The fire I didn’t feel.

So no – I don’t carry the same survivor’s guilt as those who were told they would die and somehow lived. My guilt is different. It’s the guilt of surviving in a post-HAART world, of being shielded by privilege, of waking up to a history I wasn’t part of, but which shaped everything around me.

At USCHA, no one made me feel like an outsider. But I did. I think people at USCHA saw me at 57 and assume I’m a long-term survivor. I’m not. I’m someone aging with HIV, without that same story. That difference is mine to wrestle with.

And yet, USCHA gave me clarity. It gave me a way to honor what came before me and what is still unfolding now. Because just as I look back in gratitude, I also look forward, knowing that those who come of age in the U=U and PrEP era will have their own place in history, too.

To say USCHA was “life-changing” sounds cliché. But this was something deeper. A reckoning. A reminder that every place in the timeline matters, including mine. And for that – for the people who came before me, for the community that still carries me forward – I am deeply grateful.

Keep telling the story,

Professor Peacock

Note: These are my thoughts and my story. I used AI to make helpful edits to my ramblings and online journaling.

Shadow Play: A Pop-Up First Friday Event


Shadow PlayWhere bodies and cities meet in light and dark.

This exhibition brings together two queer artists who use shadow as both material and metaphor. Leslie Keith Shaw traces fleeting figures cast on sidewalks and streets, while Todd Fuqua creates digitally projected performances on the body itself. Together, their work transforms shadow into a space of queer joy, resistance, and play – blurring the line between public and intimate, concrete and flesh.


Finding Beauty in Unexpected Places

Art has always been a way to make sense of the world, to capture what might otherwise go unnoticed, and to transform struggle into something meaningful. For both artists featured in Shadow Play, creating images is not just about aesthetics. It is about survival, resilience, and finding joy where others might not think to look.

Leslie Keith Shaw has been making art in Indianapolis for more than two decades. His practice blends photography, scanography, and digital manipulation to transform everyday textures into vibrant, layered compositions. Sidewalk cracks, overlooked objects, and even items placed on a flatbed scanner become portals to hidden beauty. Living with HIV since 1987—a time when long-term survival was rarely imagined—Leslie approaches art as both sanctuary and celebration. Every piece is proof that life continues to hold mystery, meaning, and joy.

Todd Fuqua is a queer, non-binary photographer and visual storyteller based in Indianapolis who is also living with HIV. Their practice lives at the intersection of art and advocacy – what they call artivism. Through projects like #BLOOM, #CelebrateUU, and #ShadoWORK, Todd uses photography to explore identity, resilience, and liberation. Their imagery combines shadows, textures, and layered storytelling, with a strong emphasis on collaboration. Todd’s work challenges stigma, sparks dialogue about U=U and HIV criminalization, and celebrates the fullness of queer and marginalized lives.

What ties their practices together is a shared belief: that beauty and truth are always present, even if hidden at first glance. It could be a patch of sidewalk transformed into radiant abstraction. It could be a portrait layered with resilience and shadow. Both artists invite viewers to see differently. They encourage us to notice, to question, and to feel.

Together, their work affirms that art isn’t only about what is seen. It’s about what is discovered.


Call to Action

Join us for Shadow Play, a one-night pop-up exhibition on First Friday, October 4th, at 862 Virginia Avenue, Indianapolis. Step into an evening of light, shadow, and layered storytelling—an exploration of resilience, identity, and beauty in unexpected places. Don’t just see the art—experience the transformation.


Media Kit


FOR IMMEDIATE RELEASE

Shadow Play: Where Bodies and Cities Meet in Light and Dark
One-Night Pop-Up Exhibition | First Friday, October 3, 2025 | Indianapolis

Indianapolis, IN — This October, two Indianapolis-based queer artists will bring light, shadow, and layered storytelling to life in a one-night-only pop-up exhibition. Shadow Play opens Friday, October 3, 2025, at 862 Virginia Avenue (Mass Ave Knit Shop) in Fountain Square, as part of Indy’s First Friday gallery walk.

Shadow Play brings together the work of Leslie Keith Shaw and Todd Fuqua, two artists who use shadow as both material and metaphor. Shaw traces fleeting figures cast on sidewalks and streets, while Fuqua creates digitally projected performances on the body itself. Together, their practices transform shadow into a space of queer joy, resistance, and play – blurring the line between public and intimate, concrete and flesh.

For Shaw, who has been creating art in Indianapolis for more than two decades, overlooked textures – sidewalk cracks, discarded objects, even items placed on a scanner – become radiant abstractions. Diagnosed with HIV in 1987, Shaw’s practice is both sanctuary and celebration, proof that life continues to hold meaning, mystery, and joy.

Fuqua, a queer non-binary photographer and storyteller also living with HIV, works at the intersection of art and advocacy – what they call artivism. Through community-driven projects such as #BLOOM, #CelebrateUU, and #ShadoWORK, Fuqua layers photography, shadow, and texture to spark dialogue around stigma, resilience, and liberation.

What unites their work is a shared belief: that beauty & truth are always present, even if hidden at first glance. Whether drawn from the cracks of a city sidewalk or from the resilience etched on the human body, Shadow Play invites audiences to see differently—to notice, to question, to feel.


Event Details:

Shadow Play
First Friday, October 3, 2025
6:00 – 9:00 p.m.
Mass Ave Knit Shop: 862 Virginia Avenue, Indianapolis, IN 46203

Admission is free and open to the public.

The artists anticipate returning for November and December First Fridays, making Shadow Play an evolving installation across the fall season.

Press Contact:
C. Todd Fuqua
Email: todd@ctoddcreations.com | 317-847-1945
Event Website: https://bit.ly/ShadowPlayIndy
Media Kit: https://bit.ly/ShadowPlayMediaKit