Category: Art & Artivism

Nothing Bad Happened


Content note: This piece includes discussion of sexual assault, sexual violence, consent, substance use, and BDSM imagery.

I titled this piece Nothing Bad Happened before I knew if I was ready to explain it.

Nothing Bad Happened (BW) – 2025

That’s often how my work functions. I process parts of my life through art before I fully understand what I’m touching. Sometimes intentionally. Sometimes not. This was an image I took down from the wall, looked at briefly, and put back. Not because it wasn’t good, but because I wasn’t ready to sit with it.

Then someone I care about asked me about the title. Someone I want to know better. I don’t let people get close easily, so the question caught me off guard. Instead of deflecting, I chose to answer.

This year, my themes have been connection, authenticity, community, and intentionality. Not the loud kind. Not the polished kind. The quiet kind that shows up sitting on a couch in a gallery, talking honestly about a piece of art.

So I told the truth.

Twelve years ago, I invited someone into my home under a sexual pretense. There were drugs. There was bondage. And there were substances involved that I did not consent to. I woke up hours later still tied up, alone, my home emptied. My credit cards, my car, my electronics gone. What happened changed the trajectory of my life.

I was sexually assaulted.

Our culture is obsessed with narrow definitions. I’m done shrinking my experience to fit them.

I did nothing wrong. What happened was not my fault. I did not get what I deserved.

I’ve done years of therapy since then. Different modalities. Different clinicians. Harm reduction because it works for me right now. Trauma doesn’t disappear just because time passes. It lives in the body. In desire. In fear. In the places you still avoid.

For me, that includes a complicated relationship with bondage. I’m drawn to it and wary of it at the same time. I want to experience it as something consensual, skillful, and safe. I can’t say I’ve fully reclaimed that yet.

This photograph was part of that work.

What you’re seeing is not my body. It’s someone else’s. What mattered to me was the care in the moment. The attention. The trust. The skill. I witnessed restraint practiced with intention and compassion, and I was able to capture it. I was present. I was grounded. Nothing bad happened.

When the idea for this exhibition came together, the title arrived instantly. Not as denial. As truth.

I lived through witnessing restraint. I lived through photographing it. And this time, there was no harm. That matters more than it might seem.

Maybe someday I’ll trust someone enough to go there myself. Maybe not. For now, I have my art. I have the stories behind it. And I have the act of creation, which has always been where I reclaim my power.

Art doesn’t erase trauma. But it interrupts it. It creates light where there used to be silence.

Nothing bad happened.

And that, for me, is a kind of healing.

Keep telling the story,

Sawubona,

Professor Peacock

U=U, Ten Years Later: What the Science Settled and the World Still Hasn’t


I learned about U=U in 2019.

Not in 2016 when the message officially launched. Not at the beginning. I learned about it three years later, when the science was already clear and the evidence overwhelming. And what struck me immediately wasn’t the data. It was the disconnect.

Doctors had the science.
The world hadn’t caught up.

People living with HIV are still being treated as dangerous. Still criminalized. Still framed as a problem to manage rather than people to respect. The science says something radical and simple. Undetectable equals untransmittable. Zero risk. Full stop. But culture, law, and everyday beliefs are still operating on fear.

That gap changed me.

Later that year, I launched #CelebrateUU, not as an education campaign, but as a visibility project. I didn’t want to explain U=U. I wanted people to see it. Real people. Real faces. Real intimacy. Because stigma doesn’t dissolve through statistics alone. It dissolves when humanity becomes undeniable.

Over the years, I’ve watched U=U do incredible things.

When people receive clear, confident U=U information, it changes how they see themselves. It restores sexual confidence. It reframes treatment from obligation to empowerment. It opens the door to honesty, joy, and possibility. In clinical settings where providers speak clearly and without hedging, trust grows. Fear recedes. People breathe again.

But ten years in, it’s also clear where U=U hasn’t gone far enough.

U=U didn’t fail. But its impact has been uneven because belief spread slower than evidence.

Too many providers still hedge.
Too many public messages flatten U=U into a slogan.
Too many rural and marginalized communities are left behind.
Too many laws still treat people with HIV as a risk, not as people living with a managed condition.

And in the middle of this, a real and complicated concern has emerged. The fear that U=U creates a viral divide.

That concern deserves honesty, not avoidance.

A person’s value is not determined by viral load. Full stop. When someone can’t reach viral suppression, that is very often a failure of systems, not individuals. Housing instability. Mental health. Poverty. Trauma. Access gaps. Stigma itself. These are not personal shortcomings. They are structural barriers.

And the vast majority of people who are not virally suppressed still care deeply about preventing transmission. They take precautions. They disclose. They navigate risk thoughtfully and responsibly, often with far less support than they deserve.

But here’s the hard truth we can’t avoid.

Fear of creating a viral divide cannot be used to weaken or hide settled science.

The answer to inequity is not diluting the truth. It’s fixing the systems that keep people from benefiting from it. When we hedge U=U out of discomfort, we don’t protect people. We reinforce stigma. Worse, we create space for bad policy.

This matters because stigma doesn’t just live in attitudes. It lives in law.

U=U exposes how outdated HIV criminalization laws are, but science alone doesn’t repeal bad laws. When institutions hedge on U=U, they reinforce the idea that people with HIV are inherently dangerous, and that shows up in courtrooms, sentencing, and statutes.

In recent years, my work has shifted toward implementation. Grounded in U=U University, which clearly defines the science, I’ve focused on the question that ten years of U=U now demands: What happens after awareness?

Knowing the science is not the same as practicing it. When providers hesitate, when systems stay silent, stigma survives. And patients pay the price.

If a provider can’t explain U=U clearly, confidently, and consistently, then the promise of U=U remains theoretical for the people who need it most.

Ten years later, U=U has proven what’s medically possible. The virus can be rendered untransmittable. Fear no longer belongs in the science.

The work now is alignment.

Aligning healthcare with evidence.
Aligning law with reality.
Aligning public messaging with dignity.

Until our systems behave as if they believe what the science already tells us, U=U remains true, but its promise isn’t fully realized.

And that’s where the next decade begins.

Shadow Play: A Pop-Up First Friday Event


Shadow Play – Where bodies and cities meet in light and dark.

This exhibition brings together two queer artists who use shadow as both material and metaphor. Leslie Keith Shaw traces fleeting figures cast on sidewalks and streets, while Todd Fuqua creates digitally projected performances on the body itself. Together, their work transforms shadow into a space of queer joy, resistance, and play – blurring the line between public and intimate, concrete and flesh.

Finding Beauty in Unexpected Places

Art has always been a way to make sense of the world, to capture what might otherwise go unnoticed, and to transform struggle into something meaningful. For both artists featured in Shadow Play, creating images is not just about aesthetics. It is about survival, resilience, and finding joy where others might not think to look.

Leslie Keith Shaw has been making art in Indianapolis for more than two decades. His practice blends photography, scanography, and digital manipulation to transform everyday textures into vibrant, layered compositions. Sidewalk cracks, overlooked objects, and even items placed on a flatbed scanner become portals to hidden beauty. Living with HIV since 1987—a time when long-term survival was rarely imagined—Leslie approaches art as both sanctuary and celebration. Every piece is proof that life continues to hold mystery, meaning, and joy.

Todd Fuqua is a queer, non-binary photographer and visual storyteller based in Indianapolis who is also living with HIV. Their practice lives at the intersection of art and advocacy – what they call artivism. Through projects like #BLOOM, #CelebrateUU, and #ShadoWORK, Todd uses photography to explore identity, resilience, and liberation. Their imagery combines shadows, textures, and layered storytelling, with a strong emphasis on collaboration. Todd’s work challenges stigma, sparks dialogue about U=U and HIV criminalization, and celebrates the fullness of queer and marginalized lives.

What ties their practices together is a shared belief: that beauty and truth are always present, even if hidden at first glance. It could be a patch of sidewalk transformed into radiant abstraction. It could be a portrait layered with resilience and shadow. Both artists invite viewers to see differently. They encourage us to notice, to question, and to feel.

Together, their work affirms that art isn’t only about what is seen. It’s about what is discovered.

Call to Action

Join us for Shadow Play, a one-night pop-up exhibition on First Friday, October 4th, at 862 Virginia Avenue, Indianapolis. Step into an evening of light, shadow, and layered storytelling—an exploration of resilience, identity, and beauty in unexpected places. Don’t just see the art—experience the transformation.

RSVP

Media Kit

Shadow Play Press ReleaseDownload

FOR IMMEDIATE RELEASE

Shadow Play: Where Bodies and Cities Meet in Light and Dark
One-Night Pop-Up Exhibition | First Friday, October 3, 2025 | Indianapolis

Indianapolis, IN — This October, two Indianapolis-based queer artists will bring light, shadow, and layered storytelling to life in a one-night-only pop-up exhibition. Shadow Play opens Friday, October 3, 2025, at 862 Virginia Avenue (Mass Ave Knit Shop) in Fountain Square, as part of Indy’s First Friday gallery walk.

Shadow Play brings together the work of Leslie Keith Shaw and Todd Fuqua, two artists who use shadow as both material and metaphor. Shaw traces fleeting figures cast on sidewalks and streets, while Fuqua creates digitally projected performances on the body itself. Together, their practices transform shadow into a space of queer joy, resistance, and play – blurring the line between public and intimate, concrete and flesh.

For Shaw, who has been creating art in Indianapolis for more than two decades, overlooked textures – sidewalk cracks, discarded objects, even items placed on a scanner – become radiant abstractions. Diagnosed with HIV in 1987, Shaw’s practice is both sanctuary and celebration, proof that life continues to hold meaning, mystery, and joy.

Fuqua, a queer non-binary photographer and storyteller also living with HIV, works at the intersection of art and advocacy – what they call artivism. Through community-driven projects such as #BLOOM, #CelebrateUU, and #ShadoWORK, Fuqua layers photography, shadow, and texture to spark dialogue around stigma, resilience, and liberation.

What unites their work is a shared belief: that beauty & truth are always present, even if hidden at first glance. Whether drawn from the cracks of a city sidewalk or from the resilience etched on the human body, Shadow Play invites audiences to see differently—to notice, to question, to feel.


Event Details:

Shadow Play
First Friday, October 3, 2025
6:00 – 9:00 p.m.
Mass Ave Knit Shop: 862 Virginia Avenue, Indianapolis, IN 46203

Admission is free and open to the public.

The artists anticipate returning for November and December First Fridays, making Shadow Play an evolving installation across the fall season.

Press Contact:
C. Todd Fuqua
Email: todd@ctoddcreations.com | 317-847-1945
Event Website: https://bit.ly/ShadowPlayIndy
Media Kit: https://bit.ly/ShadowPlayMediaKit